Fujifilm has formally introduced the GFX Eterna 55, a brand new medium format cinema digicam constructed on the corporate’s GFX system, alongside a brand new zoom lens, the GF 32-90mm T3.5 PZ OIS WR. Each merchandise are anticipated to ship in October 2025, with the digicam priced at $16,499.95 and the lens at $5,999.95.
The GFX Eterna 55 represents Fujifilm’s largest push into cinema but, introducing what the corporate calls the tallest digital filmmaking sensor accessible for buy. Its 102 MP CMOS II HS sensor measures 43.8 x 33.9 mm and helps all kinds of recording codecs, together with open gate, anamorphic, and Tremendous 35. Fujifilm additionally highlights its integration with Adobe’s Body.io Digital camera to Cloud workflow, making it extra production-ready for skilled movie and broadcast environments.
The launch movie for the GFX Eterna 55, OKAY, was shot by cinematographer Oren Soffer, who praised the system’s coloration science and suppleness. Fujifilm’s John Blackwood, Director of Product Advertising, emphasised the sensor’s scale, its compatibility with each spherical and anamorphic glass, and the power to load as much as 16 customized LUTs for streamlined manufacturing and post-production.
Key Specs: Fujifilm GFX Eterna 55
Sensor: 102 MP CMOS II HS (43.8 x 33.9 mm, Bayer filter)
Processor: X-Processor 5
Native ISO: Twin-base ISO 800 and 3200
Dynamic Vary: 14+ stops
ND Filter: Digital variable ND (ND0.6 – ND2.1, 0.15-stop increments)
Autofocus: Hybrid AF with topic detection (face, animals, autos, airplanes, trains)
Recording Codecs:
Codecs: Apple ProRes 422 HQ, ProRes 422, ProRes 422 LT, ProRes Proxy, H.265 (10-bit 4:2:2), H.264 Proxy
Exterior Recording: As much as 12-bit uncooked over HDMI
Media: CFexpress Kind B and SD playing cards
Monitoring:
5.0-inch 2,000-nit LCD touchscreen (1920×1080, 6.22M dots)
3.0-inch menu show (700 nits, 1.04M dots)
Movie Simulations: 20 choices together with Eterna, Basic Chrome, Nostalgic Neg, and Velvia
3D LUT Help: Import and retailer as much as 16 customized LUTs
Networking: Wi-Fi (WPA2/WPA3), Ethernet (RJ45), Bluetooth 4.2
Distant Management: Net browser-based multi-camera management
I/O Ports: 12G-SDI out, timecode in/out, genlock, headphone/mic, distant, lens energy, DC in/out
Dimensions: 110.8 x 138.2 x 176.8 mm
Weight: 4.41 lbs (with out battery or media)
Energy: NP-W235 battery, DC enter, V-mount assist
Key Specs: Fujinon GF 32-90mm T3.5 PZ OIS WR
Focal Size: 32-90mm (full body equal: 25-71mm)
Most Aperture: T3.5
Minimal Aperture: T32
Aperture Design: 13-blade rounded diaphragm
Lens Development: 25 parts in 19 teams (3 aspherical, 3 ED)
Minimal Focus Distance: 0.8 m (2 ft. 8 in.)
Filter Thread: 11 mm
Dimensions: 114 mm entrance diameter, 222.5 mm size
Weight: 4.74 lbs
Excessive-High quality Cinema
The GFX Eterna 55 is aimed squarely at high-end cinematography, the place format flexibility and picture constancy are essential. The unusually tall 4:3 sensor offers filmmakers new artistic choices for pairing with anamorphic lenses or reaching a larger-than-full-frame aesthetic with spherical glass. Constructed-in movie simulations and LUT assist cater to productions requiring quick turnarounds with out sacrificing coloration high quality, whereas strong I/O and remote-control choices make it viable for multi-camera broadcast setups.
The GF 32-90mm T3.5 expands Fujifilm’s GF lens lineup with a stabilized, weather-resistant cinema zoom designed to cowl the massive GFX picture circle, giving productions a flexible mid-range choice to pair with the Eterna 55.
Business Rollout
Fujifilm will showcase the GFX Eterna 55 at a sequence of upcoming trade occasions, together with NAB NY (October 22-23, 2025), ProFusion Expo in Toronto (November 5-6), and Camerimage in Poland (November 15-22).
Conclusion
With the GFX Eterna 55, Fujifilm is bringing its medium format experience into the cinema house with a daring sensor design and production-ready workflow options. Paired with the brand new GF 32-90mm T3.5 lens, the system represents a brand new toolset for filmmakers who need the dimensions and coloration flexibility of medium format seize, whereas retaining the reliability of Fujifilm’s established imaging ecosystem.
All digicam photos by Timur Civan. All lens photos by Coco Tolentino.
