Add to playlist: the DIY no wave dub of Devon Rexi and the week’s best new tracks | Experimental music

From AmsterdamRecommended if you happen to like Adrian Sherwood, ESG, Hidden OperatorUp subsequent New charity single benefitting Plant een Olijfboom launched 20 SeptemberDevon Rexi make tripped-out, percussion-heavy rhythms which are as attractive as they’re unusual. Although the Amsterdam-based group have solely launched two EPs and keep an elusive on-line presence, they’ve developed a gradual cult following in guitar and dance music circles alike.Fashioned round 2022 by Nushin Naini and Nic Mauskovic (who additionally releases music underneath the alias Nicolini), the mutating band draw on a variety of influences courting from the 70s: the percussion, sax and funky bass recall New York no wave and post-punk, and the skulking tempo and echo have their roots in dub. These components mix with punk’s DIY method. A lot of the instrumentation on their debut EP Tambal comes from undisclosed “miscellaneous objects” and their brief, scrappy tracks have the manufacturing high quality of some hazy late-night jam between pals: vocalist and bassist Naini likens their bed room recording set-up to a “enjoyable playground to experiment with sounds”.They add thrilling shock components into the combination: the spliced samples and turntablism add a chaotic edge to the in any other case groove-heavy tracks, and Naini’s self-described “fried Farsi” – a semi-improvised model of the language – is delivered by way of pitch-shifted yips and nursery-rhyme chants. It fits the wackiness of the Devon Rexi lore: these self-appointed “diasporic human snacks are vibrating their sonic manipulations in tribute to the lonely and oblivious Mr Naster” – which could give an perception to their headspace, if not their method. Safi BugelThis week’s greatest new tracksDebit. {Photograph}: Monse GuajardoDebit – La Ronda y el SonideroMexican producer Delia Beatriz stretches and smears 90s selector Gabriel Dueñez’s slackened cumbia rebajada (slowed cumbia) sound so the beat turns into a twitch, the horns and yells lurching like TV static searching for a sign.Jessy Lanza – Slapped by My LifeWritten to make her husband smile when he was present process chemotherapy, this Lanza loosie is characteristically shiny, effervescent membership pointillism that glints like a hummingbird wing – then shifts surprisingly bassy.Kali Malone and Drew McDowall – The Sound in My MindIntricate but fathoms deep, the drone doyen and former Coil member McDowall’s monophonic modular synth experiment evokes observing the intricate grain and monumental scale of a Richard Serra sculpture on the identical time.George Riley – RainFrom a brand new mixtape, Riley mixes chattering UK storage with the sweetness of Janet Jackson’s All for You and an actual earworm refrain about being deluged by romance.Stella Donnelly – Really feel It ChangeWishing on a satellite tv for pc “that you simply nonetheless love me”, the Australian songwriter reckons with a relationship’s looming demise, her hymnal composure faltering over an appropriately wet trudge of drums and guitar.Casey Dienel – SeventeenJettisoning the shivery synths of their previous moniker White Hinterland after eight years away, Dienel’s comeback bridges the luxurious 70s studio upholstery and jittery rhythms of Fleetwood Mac’s Rumours and Tusk.Tortoise – Layered PresenceTense bass, intricate pulse, slightly proggy dissonance: who else might or not it’s? Now dispersed throughout the US from their Chicago nucleus, the five-piece reunite for his or her first album since 2016.Subscribe to the Guardian’s rolling Add to Playlist picks on Spotify.