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    Home»Editing Tips»How One Photographer Put Three Sigma Zooms to the Test
    Editing Tips

    How One Photographer Put Three Sigma Zooms to the Test

    onlyplanz_80y6mtBy onlyplanz_80y6mtSeptember 22, 2025No Comments2 Mins Read
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    How One Photographer Put Three Sigma Zooms to the Test
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    A day at a good is unpredictable, stuffed with fleeting expressions, quirky particulars, and little surprises that vanish should you’re not prepared. Capturing that blend of spontaneity and construction calls for a versatile setup, particularly whenever you need to transfer from candid portraits to wider documentary photographs with out fumbling with gear adjustments. That’s the place a flexible lens equipment proves its price.

    Coming to you from Michael Sladek Images, this considerate video explores what it’s prefer to shoot a whole day on the Washington State Honest utilizing three Sigma zoom lenses. The primary is the Sigma 16-300mm f/3.5-6.7 Up to date, which Sladek used a lot of the day. The draw is evident: one lens covers an enormous vary, letting you seize moments with out switching glass. That meant close-ups of barbecue employees at 172mm or framing a toddler’s awards ceremony at 300mm with out moving into the scene. The tradeoff is aperture: at 300mm you’re working with f/6.7, which isn’t supreme in low gentle. Sladek leaned on the opposite two lenses as soon as daylight light, however throughout vivid hours the 16-300mm proved adaptable sufficient for portraits, environmental photographs, and quiet storytelling.

    The second lens was the Sigma 10-18mm f/2.8 Up to date. Sladek used it with a tripod and an 8-stop impartial density filter for lengthy exposures at night time, chasing gentle trails and layered carnival motion. He described it as each enjoyable and barely addictive, since every try introduced a distinct rhythm of glowing shapes. The final of the trio, the Sigma 17-40mm f/1.8 Artwork, introduced stronger rendering and low-light capacity. Sladek paired it with a white mist filter, although he admitted the quarter power was too heavy for his style and plans to swap to 1/8 subsequent time. With this lens, particulars like a quiet fairgoer’s spoon and fork tucked right into a pocket or summary bokeh photographs of carnival lights stood out.

    All through the video, Sladek emphasised how sure moments profit from attain and compression, whereas others name for context or abstraction. He reveals each the strengths and weaknesses of the 16-300mm, significantly autofocus struggles when monitoring fast-moving topics like youngsters on slides. Try the video above for the total rundown from Sladek.

    photographer put Sigma test Zooms
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