Panasonic has added two new cameras to their Lumix S-Sequence lineup, the S1 II and S1 IIE. For anybody contemplating Panasonic’s full-frame system, this is how they evaluate to the favored S5 II and S5 IIX.
Coming to you from CVP, this thorough video breaks down key variations between Panasonic’s newest cameras and their earlier lineup. First, the video examines the S5 II and the S5 IIX fashions. Each cameras share a 24-megapixel sensor, shade science, and wonderful picture stabilization. Whereas the exterior appearances differ primarily within the “blackout” paint job of the S5 IIX, their internals fluctuate considerably for video-focused customers. The S5 IIX presents options like ProRes RAW output, inner All-Intra recording, and live-streaming capabilities—excellent if video is your fundamental precedence. But when your work leans primarily towards stills, saving £200 on the S5 II to put money into lenses may make higher sense for you.
Subsequent is the newer S1 IIE in comparison with the S5 IIX. Though each function an analogous 24-megapixel sensor, the newer S1 IIE presents vital upgrades. Bodily, this mannequin introduces design tweaks comparable to particular person port covers, improved management dials, a front-record button, and a intelligent tilting LCD monitor, which permits enhanced viewing flexibility even when cable-access ports are occupied. It additionally upgrades storage by together with a CFexpress Kind B slot alongside an SD card slot, preferrred for dealing with higher-quality inner ProRes recordings. Video creators profit from built-in options comparable to inner ProRes and ProRes RAW recording (which the S5 IIX helps solely externally). Moreover, the S1 IIE contains new options comparable to false shade for proper video publicity and compatibility with Panasonic’s XLR adapter for 32-bit audio seize.
The video goes additional by exploring one other variant, the S1 II, alongside the S1 IIE. These two latest releases differ primarily in sensor velocity and capabilities. The S1 II’s partially stacked sensor allows quicker digital shutter speeds—this implies you may seize quicker burst images as much as 70 fps and higher-quality slow-motion footage as much as 120 fps in 4K, noticeably faster than the S1 IIE. Moreover, the S1 II possesses a dynamic vary enhance mode that expands the digital camera’s versatility in tackling difficult lighting situations, one thing not accessible on the S1 IIE. At $700 extra, the video argues there’s benefit in investing a bit extra within the S1 II for its flexibility, velocity, and improved sensor efficiency.
Lastly, the video compares the S1 II with Panasonic’s new high-resolution mannequin, the S1R II. With a considerable soar to a 44.3-megapixel sensor, the S1R II caters primarily to nonetheless image-makers who want the additional decision. Regardless of its greater decision, it lags the S1 II in sensor velocity, dynamic vary, and a few video body price choices. For photographers who often shoot video, it gives compelling decision benefits, but hybrid shooters who prioritize video are possible higher served by the lower-res however quicker S1 II.
Finally, the perfect Panasonic digital camera for you will depend on whether or not you want velocity, decision, versatility, or specialised video options. Try the video above for the total rundown.
