Canon EOS C50 vs Sony FX3: Which Camera Wins – And Does It Matter?

The jargon of “the XXX killer” and its variants has turn out to be synonymous with the clickbait titles and opinions of our time (historically on all caps with few exclamation marks on high). It encapsulates the over-dramatization of delicate upgrades and the false sense of obsolescence – as in case your older digicam will out of the blue cease delivering the identical nice footage as soon as a more recent mannequin is introduced. However in case you’ve seen Canon’s teaser from final week, you in all probability obtained this very message – ‘We’re coming for the FX3’. Now that the digicam has formally been introduced, we are able to see that Canon wasn’t solely going for the FX3, however for your complete line of compact FX cameras, making a compact beast of its personal.The brand new Canon EOS C50 appears to mix some EOS C80 capabilities with the EOS R50 V design language. A more in-depth take a look at each design and options will present that in lots of instances, the brand new EOS C50 has upped its sport, surpassing each its stablemates. You possibly can learn or view our preliminary evaluate to dive into the nitty-gritty, however the headline options alone level to a really succesful digicam throughout: 12-bit Cinema RAW recording at as much as 7K 60P7K Open Gate 3:2 recording120P on 4K, 180P on 2KDual base ISO at 800/640015+ stops of dynamic vary (Canon’s numbers)Varied recording codecs, together with XF-AVC S, XF-HEVC SMultifunctional shoe for numerous accessoriesDetachable high deal with with twin XLR inputsSimultaneous recording in a number of codecs This listing, plus the general design, factors out the primary goal of this digicam: Overthrowing the FX3 and its little sisters, asserting reign over the favored compact cine digicam section.Dethroning a legend – what’s the Canon EOS 50C up towards?The Sony FX collection of compact cine cameras is without doubt one of the most outstanding available in the market, and could be one of many cornerstones in the best way our discipline works at present. The corporate’s revolutionary FX3, introduced in February 2021, was a technological marvel, with a spec sheet that also holds its floor, over 4 years after its launch.Greater than that, the digicam options an revolutionary design, mixing stills and cine ergonomics in a single succesful, compact, and modular physique. As years glided by, Sony has added the S35 FX30 and only in the near past launched the FX2, introducing oversampling, S35 4K recording, and stills performance to the FX line. The digicam obtained its justifiable share of criticism for being a “microwaved a7IV”, a rehoused stills-hybrid digicam, however it was greater than that, at the very least for my part. The digicam added a helpful piece within the compact FX puzzle, and it appears its introduction stems from Sony’s will to pay attention. Now that the Canon EOS C50 is right here, it appears as if somebody has fastidiously listened; it simply wasn’t Sony…Sony FX3 vs. Canon EOS C50Made for the taskWith the EOS C50, Canon appears to deal with every grievance, want, or fantasy expressed by FX3 customers. The brand new digicam merges velocity, decision, compactness, skilled I/O, Simultaneous recording for numerous quick-turnover media wants, and extra. Whereas it certain gained’t make the present FX3 cease recording, it appears to be poised, designed, and bred for one goal: biting into Sony’s presence available in the market. And when pitting these cameras one towards the opposite, the victory is about as clear because it will get. (Now think about including an EVF and IBIS within the subsequent mannequin, hopefully)…Will this be the tip for the FX3?Properly, not so quick. Whereas the newer Canon EOS C50 is clearly the higher digicam general (as you’d anticipate from a mannequin launched 4 years later), it hardly “kills” something. A greater digicam won’t ever degrade your current one, and whereas the FX3 and its siblings might out of the blue look fairly lengthy within the tooth, they’re nonetheless very succesful inventive instruments.The FX3 nonetheless holds some benefits, like an IBIS (In Physique Picture Stabilization), which Canon persistently omits from their cine cameras. Its dual-media system is stronger for my part, and maybe most significantly, it’s broadly accessible, making used our bodies, lenses, and adapters simpler to trace down. Moreover, “leaping ship” from one system to a different is a pricey endeavor, which can discourage a number of cinematographers. That mentioned, the brand new Canon EOS C50 is far more than an incremental improve in contrast with Sony’s compact cine roster. This must be, on the very least, a tough wake-up name for Sony to regulate and improve their lineup.On the finish of the day, we’ve what could also be one of the best compact cine instrument presently accessible, and a slew of different nice cameras on the market from numerous producers. The following digicam might be simply across the nook, be it tomorrow or on the subsequent commerce present. Just like the Canon EOS C50, it gained’t kill something, simply supply higher/different choices for us filmmakers. On a private word, that is the core of my dismay with all of the ‘killing’ jargon. It’s deceptive. A more recent digicam could also be stronger, however it doesn’t erase what got here earlier than. Canon might win consideration at present with the EOS C50, however that gained’t put FX3 homeowners out of labor – simply as the subsequent Panasonic LUMIX or Nikon-RED launch gained’t ‘kill’ the EOS C50.Will you contemplate ditching your system for the brand new (and spectacular) Canon EOS C50? What are your causes? Tell us within the feedback.