Generally, new movies demand such distinctive technical necessities that they find yourself pushing the boundaries of digital camera expertise. The upcoming F1 film is an ideal instance—two tech giants, Sony and Apple, developed {custom} cameras particularly for capturing the acute circumstances of Formulation 1 racing, with vehicles reaching speeds of as much as 375 km/h. Let’s dive in to the “F1 cameras” used on this film, and far, rather more.
This week, we take a better have a look at what it takes to shoot high-speed motion like this, and the way innovation behind the scenes shapes what we see on display screen. We additionally contact on a number of different recent updates from the world of cameras, lenses, and manufacturing instruments.
Tune in for an insightful dialog!
Sponsor: This episode is sponsored by FUJIFILM. Test it out at 27:11
Chapters & Articles Talked about in This Episode:
00:00 – Introduction and overview
04:01 – How F1: The Film Used a Customized Sony Compact Physique, Apple’s Customized iPhone Digicam and VENICE 2 to Seize Pace
Customized Sony Compact Protype Digicam used on F1: The Film. Picture credit score: Sony
17:11 – Filmmaking for the Imaginative and prescient Professional Period: Apple and Blackmagic’s Immersive Video Workflow
Filmmaking for the Vision Pro Era: Apple and Blackmagic’s Immersive Video Workflow
23:43 – Saramonic Air – Compact, Twin-Channel, Wi-fi Mic Launched for Fast Shoots
Saramonic Air – Compact, Dual-Channel, Wireless Mic Introduced for Quick Shoots
28:05 – Godox KNOWLED M300R RGBWW LED Mild Introduced
35:44 – The Director’s Information to All the pieces by Jay Holben- a 600-Web page Ebook for Administrators at Any Degree
The Director’s Guide to Everything by Jay Holben- a 600-Page Book for Directors at Any Level
39:18 – Adobe Firefly Sound Generator Debuts – Customized SFX Guided by Your Voice
Adobe Firefly Sound Generator Debuts – Custom SFX Guided by Your Voice
Adobe Firefly Sound Generator. Picture credit score: Adobe
43:41 – Tamron 16-30mm f/2.8 Di III VXD G2 Vast-Angle Zoom Full-Body Lens Introduced
Tamron 16-30mm f/2.8 Di III VXD G2 Wide-Angle Zoom Full-Frame Lens Announced
47:51 – Sony Addresses BURANO Colour Replica Points with Free IR Lower Filter Alternative
Sony Addresses BURANO Color Reproduction Issues with Free IR Cut Filter Replacement
51:34 – Sony’s ‘Digicam Confirm’ Characteristic Launched to Strengthen Picture Authenticity for Newsrooms
Sony’s ‘Camera Verify’ Feature Launched to Strengthen Image Authenticity for Newsrooms
53:37 – Mastering Suggestions – A Filmmaker’s Information to Inventive Collaboration
Mastering Feedback – A Filmmaker’s Guide to Creative Collaboration
We hope you loved this episode!You’ve got suggestions, feedback, or ideas? Write us at [email protected]
