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    Home»Video Creation»FUJIFILM GFX ETERNA 55 Camera Released – Final Features Discussed
    Video Creation

    FUJIFILM GFX ETERNA 55 Camera Released – Final Features Discussed

    onlyplanz_80y6mtBy onlyplanz_80y6mtSeptember 12, 2025No Comments5 Mins Read
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    FUJIFILM GFX ETERNA 55 Camera Released - Final Features Discussed
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    Now that FUJIFILM has formally lifted the (total) curtain on the GFX ETERNA 55, it’s time to take a deeper dive into the method behind this distinctive digicam. We met with FUJIFILM at IBC in Amsterdam to discover the lengthy journey behind the corporate’s new large-format cinema digicam. Past specs, we additionally bought some fascinating insights into the ETERNA 55’s distinctive options, positioning, artistic flexibility, and the way in which FUJIFILM embeds their movie heritage into digital cinema.The world of cinema cameras is an intricate one. Conservative and cutting-edge, it tries to create instruments that can take the craft of filmmaking, honed by generations of cinematographers, and inject it with progressive tech. This can be the explanation why we haven’t seen too many digicam producers braving the chances and coming into the fray. FUJIFILM, nonetheless, did simply that, and with flying colours. The corporate, well-versed within the worlds of photographic movie and cinema lenses, has been taking their first steps into the cine digicam area with a singular providing – a big sensor cine digicam. What began because the “ETERNA” simply bought a brand new identify, emphasizing what’s presumably the digicam’s most distinguished characteristic – the 44 x 33mm sensor.FUJIFILM GFX ETERNA. Credit score: FUJIFILMWhat’s behind the ETERNA 55 identify?The “55” factors on to the 55mm picture diagonal of the big format sensor (also called “medium format” when it comes to digital stills, 44x33mm in measurement, roughly 70% bigger than 3:2 full body sensors). Cine codecs are nonetheless categorized in analog phrases. “Massive format refers to nearly something between full body and 65mm, so FUJIFILM went with the ’55’ to emphasise the precise sensor diameter. This also needs to assist with lens matching, as Cine lenses have a tendency to say the projection diameter as a part of their specs.Enormous sensor, small bundle – FUJIFILM ETERNA 55. Picture credit score: CineD“Essentially the most correct strategy to describe this sensor is by its diagonal: 55mm. That’s why we selected it for the identify. It’s clear and exact.”John Blackwood, FUJIFILMIt’s not the scale, it’s how you utilize itAs talked about earlier than, on the coronary heart of the ETERNA 55 stands the spectacular 44x33mm, 102 Megapixel sensor. These numbers permit for some fascinating movement seize options, however it’s not solely the scale or decision; it’s the implementation of those options into the digicam that makes the magic occur. The FUJIFILM ETERNA 55 can shoot 4:3 open gate, cropped pixel: pixel 8K, Tremendous 35, Premista format, and extra. The sensor is extra of a multi-format canvas that permits numerous types of seize. The ETERNA 55 sensor is among the many “tallest” within the enterprise, enabling each anamorphic taking pictures, publish crops, and even vertical crops, making the digicam extra versatile than one may initially understand.Colours are a digicam’s finest friendSince its founding within the early twentieth century, FUJIFILM has been all about colours. This journey continued alongside the digital period and peaked with the ETERNA 55. Twenty inside movie simulations are onboard, tailor-made for fast-turnaround workflows or as an preliminary baseline for additional coloration correction in publish. The F-Logs are additionally right here, and FUJIFILM will launch a variety of 3D LUTs impressed by their movie inventory for individuals who want to take extra management over the footage. These could be utilized in-camera, by exterior equipment, or in post-production.An influence-efficient powerhouseDespite its physique and sensor measurement, in addition to its goal market, the GFX ETERNA 55 is surprisingly environment friendly. Designed for practicality on (and off) set, it helps energy consumption of round 21W nominal, fairly exceptional contemplating sensor measurement and backbone, in addition to the required processing energy. The ETERNA 55 uniquely features a slot for an NP-W235 battery that will energy the digicam throughout essential battery swaps, and can present further peace of thoughts, backing up digicam energy. It would mechanically recharge as soon as a essential battery is hooked up.FUJIFILM GFX ETERNA. Credit score: FUJIFILMPrice and goal marketAt $16,500, the FUJIFILM ETERNA 55 doesn’t fairly comply with the pattern of compactness and affordability we’re seeing during the last a number of years. That’s not shocking contemplating the distinctive sensor measurement; nonetheless, the digicam might have a tough time competing towards the equally priced RED V-RAPTOR XE 8K VV or the Blackmagic URSA Cine 12K LF at about half the worth. Each use smaller sensors, however these sensors are made for movement seize from the bottom up, and are housed in cameras providing higher recording choices, comparable to inside RAW video recording, body charges, decision, and oversampling. This places the ETERNA 55 in a difficult place. Will FUJIFILM colours, 4:3 sensor, and compact design be sufficient to problem the business veterans?Is FUJIFILM prepared for the massive display screen?At the beginning, we should always commend FUJIFILM for braving the dangers and hazards of the cine digicam phase. Even should you gained’t purchase the ETERNA 55, this digicam will alter the market, strengthening competitors and difficult different producers to up their recreation. The digicam will face fierce competitors, however it does provide a singular bundle that surpasses the related competitors. The design and ergonomics are additionally progressive, leveraging the corporate’s expertise within the hybrid market with options just like the small NP-W235 battery trickling as much as cine gear.Will the GFX ETERNA 55 discover its place in your workflow, be it as an owned or a rental? May it even redefine how you concentrate on large-format cinematography? Tell us within the feedback

    Camera discussed ETERNA features Final FUJIFILM GFX released
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