Hotline TNT: Raspberry Moon review – love lights melodies through the fuzz | Indie

The third album by these New York-based indie-rockers rings some essential adjustments. First, bandleader Will Anderson is in love, which alleviates among the gloom that pervaded earlier information. And whereas the lyrics don’t quantity to a lot on the web page, when sung in unaffected deadpan and robed in artfully embellished shoegazey noise, Anderson’s elliptical poetics carry a compelling weight.Raspberry Moon’s artworkSecond, and extra importantly, Anderson invited his bandmates into the studio to document Raspberry Moon. The place earlier albums had been one-man affairs, with Anderson overdubbing layer upon layer of guitar and synth on his lonesome, the presence of different musicians within the room has shaken up the paradigm. Their trademark partitions of fuzz stay, however Raspberry Moon additionally fields tracks comparable to Break Proper, on which the completely satisfied/unhappy melodies flourish with house to breathe, and the plush Lawnmower, which is virtually unplugged (save for a keening thread of suggestions within the distance) and completely pretty for it.Different tracks hew nearer to the Hotline blueprint, however with renewed sophistication. Their sound stays rooted in 90s indie-rock’s fusion of noise and tune (the closing observe even shares its title with a landmark Dinosaur Jr LP), however Anderson’s articulacy inside this soundworld is spectacular. The Scene could recall the corrosive buzz of Sugar and the tremolo swoon of My Bloody Valentine, however Anderson’s mastery of dynamics is thrilling. And the way in which he weaves acoustic and distorted guitars and blasts of needling suggestions into one thing as beguiling as Julia’s Battle is proof of a singular expertise working in a crowded area.