Right here is tips on how to load RED LUTs into your Nikon ZR.
At present, this can be an excellent quick blurb, however studying it should prevent a tremendous period of time, so let’s get to it.
In the event you simply purchased the brand new Nikon ZR, there’s a sturdy probability that you’re buying it with a purpose to make the most of the R3D uncooked video information. In case you are used to (or new to) the R3D workflow, additionally, you will most likely be utilizing the Log3G10 format with a purpose to maximize the outcomes of your footage. I gained’t go deep into how LUTs work on this article. However, for these not accustomed to LUTs, the time period stands for “Lookup Desk.” Within the easiest sense, a LUT tells your digicam or NLE tips on how to interpret footage shot in a selected kind of Log. So there are LUTs particular to Log3G10 in the identical method there are LUTs particular to N-Log or C-Log 2 or S-Log, and so forth.
You’ll load these LUTs into your digicam whereas exposing to make sure that you’re constant by your pipeline and getting the outcomes you anticipate. RED and Nikon present premade technical LUTs, which you’ll obtain without spending a dime, and the brand new ZR permits you to load as much as 10 of them in at a time.
The method is normally easy, however I did run into a number of bugs when establishing my ZR, so I wished to share how I set mine as much as hopefully prevent potential complications.
Step One: Obtain RED LUTs
This hyperlink will take you to each the technical remodel LUTs and the inventive LUT packs that may work along with your Nikon ZR.
https://onlinemanual.nikonimglib.com/download_red/en/
Click on the hyperlinks and obtain the zip information to your pc.
Step Two: Format Your Card
Put your card into the Nikon ZR and format it. I’ve seen some recommend that this solely works with a CFexpress card. In my case, for no matter cause, my CFexpress card didn’t work, however my MicroSD did. Go determine. However put your chosen card into the digicam and format it.
Step Three: Put LUTs On The Card
Put your formatted card into your pc. Be certain that the LUT folder you downloaded has been unzipped.
Contained in the unzipped folder, it is best to see a collection of .dice information. Contained in the RED_CREATIVE_LUTs folder, you will notice a few folders. Choose the one that claims RED_IPP2_Creative_combined_with_REC709_BT1886_Output_Transform. Open it.
There are a number of LUTs you may add inside that folder. However remember that you may solely add 10 LUTs at a time into your ZR.
Additionally, that is the place the primary bug that tripped me up got here in.
Whilst you can load 10 LUTs into your ZR, the method of transferring them into the digicam can solely occur 5 at a time. Right here’s why. You may copy as most of the .dice information as you need onto the cardboard. However, within the subsequent step, if you go to import them into your precise digicam, the digicam itself will solely show the primary 10 as choices. On prime of that, the digicam will see doubles of every file. So RED_Achromic_to_Rec709_BT1886, as an illustration, can even have a second file known as .RED_Achromic_to_Rec709_BT1886 present up on the ZR display screen. That . will present up first. One factor that took me darn close to an hour to determine was that I used to be loading 10 LUTs onto the cardboard, however then the digicam was solely displaying me the ._ variations of these LUTs as choices to import, so I saved assuming this meant the conventional variations weren’t there. On prime of that, the ._ variations don’t import. Solely the non ._ variations. So, whereas the non ._ variations had been, actually, on the cardboard, I couldn’t see them as a result of the digicam was solely displaying the ._ variations. Confused but? Now you could have some thought how my Friday morning was.
To keep away from that insanity, solely load 5 (at most) .dice information onto your card at a time. The end result can be that you just’ll see two variations of every file displayed on the ZR: one ._ model and one non ._ model. Choose the model with out the ._ and also you’ll be set.
Step 4: Importing The LUTs
However we’re getting forward of ourselves, so let’s rewind a bit. You might have now loaded as much as 5 LUTs out of your pc onto your formatted card. Now take that card and put it into your ZR.
Go to the customized settings part of the menu. The icon is the third one down and appears like a pencil. Scroll all the way down to the G (Video) subsection.
Go to G14 (View Help) and switch it on.
Then go to G15 (3D LUT) and push proper on the joystick.
Flip 3D LUT to on.
Then go all the way down to Import CUBE File and push proper on the joystick. Right here, it is best to now see an inventory of the .dice information you simply saved to your card. That is the place you’ll notice the difficulty I discussed above with the ._ versus non ._ variations of every file. Choose one which doesn’t have the ._ and push OK.
That may take you to a Save As display screen. On that display screen, choose a slot that claims Unused (or overwrite an present LUT) and push OK. That may save the LUT to your digicam.
Again on the G15 3D LUT menu, now you can hit the second possibility, Choose LUT.
You will note all of the LUTs you could have imported listed there. Choose whichever one you need, and you’re all set.
Fast notice to these unfamiliar with the workflow. The LUT is only a set of directions for the digicam. When you convey the footage into your NLE, you’ll want to offer it these directions as effectively by making use of the identical LUT inside Resolve, Premiere, and so forth. When you do, what you see in your pc ought to match what you noticed on the LCD whereas taking pictures with the LUT turned on.
Hopefully that saves you a little bit of time in getting arrange for fulfillment.
