IMAGO Oslo Digital Cinema Conference 2025 Returns With AI Focus – David Stump ASC, Steve Yedlin ASC Among Speakers

The ninth Oslo Digital Cinema Convention returns November 21-23, 2025, with synthetic intelligence rising because the dominant theme throughout three days of technical displays, masterclasses, and hands-on tools demonstrations. Organized by IMAGO and Norway’s FNF cinematographer society, the biannual occasion brings working cinematographers face-to-face with business leaders addressing how AI will reshape workflows, authorship rights, and the career itself.Held on the Norwegian Movie Institute in Oslo, this yr’s Oslo Digital Cinema Convention options not less than six devoted AI periods alongside conventional technical deep-dives into HDR workflows, digital camera noise efficiency, and digital manufacturing methodologies. With registration closing November 15 and a number of high-profile audio system confirmed, the occasion positions itself as important for cinematographers navigating the speedy technological shifts defining 2025 manufacturing landscapes.This system reveals a considerable deal with AI’s sensible implications for working cinematographers, from workflow integration to mental property considerations and academic affect.Individuals and audio system of a previous version of the Oslo Digital Cinema Convention. Picture credit score: organizerAI takes middle stage at Oslo Digital Cinema ConferenceDavid Stump ASC anchors a number of periods throughout the three days. The Emmy winner and Academy Award recipient for Scientific and Technical Achievement chairs Friday’s opening AI panel analyzing what machine studying instruments can really accomplish for cinematographers in 2025. His Technical Committee credentials and intensive digital manufacturing experience place him to separate real utility from advertising and marketing hype.Oslo Digital Cinema Convention’s authorized dimension comes by means of Dr. Cristina Busch, IMAGO’s copyright lawyer, who presents “AI: Synthetic intelligence and mental rights” Friday afternoon. As generative AI instruments skilled on current cinematography proliferate, understanding mental property implications turns into important for safeguarding authorship claims.Stephen Lighthill ASC delivers Saturday’s most provocative session: “Educating cinematographers in a brand new actuality: How does AI affect movie schooling?” As AFI Movie College’s Cinematography Self-discipline Head and former ASC President, Lighthill addresses whether or not movie colleges are getting ready college students for an AI-integrated manufacturing panorama or coaching them for workflows already out of date.CineD & MZed have been honored to assist Stephen Lighthill ASC (high row, third from left) and Paul Atkins ASC (high row, second from proper) throughout their Wildlife and Lighting Masterclasses throughout Jackson Wild in Austria in 2022. You may watch these programs on MZed.Philippe Ros AFC, IMAGO Technical Committee co-chair and Digital Imaging Supervisor, seems in each Friday’s AI session and Sunday’s profession-future panel. His credit span high-end documentary and fiction work, offering sensible perspective on how AI integration impacts real-world manufacturing choices.Extra AI-focused periods embrace Christian Wieberg-Nielsen on AI implementation in post-production workflows at Storyline Studios, analyzing what AI instruments really accomplish in day by day grading and ending work versus advertising and marketing guarantees. Sunday options an AI in commercials session instantly confronting job displacement nervousness, screening AI-created business examples to debate the place human cinematography stays irreplaceable.HDR and technical deep-divesSteve Yedlin ASC participates digitally in Saturday’s HDR replace panel. The Rian Johnson collaborator (Looper, The Final Jedi, Knives Out, Glass Onion) pioneered influential colour science analysis by means of his Show Prep Demo, making his HDR perspective significantly priceless for technical audiences. He joins Daniele Siragusano (FilmLight picture engineer), Christian Wieberg-Nielsen FNF (IMAGO Technical Committee), and Dirk Meier BVK CSI in analyzing present HDR workflows and requirements.Steve Yedlin ASC on the set of Glass Onion: A Knives Out Thriller. Picture credit score: NetflixCharles Poynton PhD delivers technical deep-dive into trendy cinema digital camera noise traits Saturday morning. For spec-focused cinematographers evaluating cameras primarily based on measurable efficiency metrics, Poynton’s colour science and picture processing experience guarantees quantitative evaluation past advertising and marketing claims.Sony’s sturdy convention presence consists of Daniel Listh moderating periods and a Friday slot titled “What’s cooking at Sony?” suggesting potential product reveals or know-how roadmap updates. The producer views ODCC as strategic platform for European cinematographer outreach.Masterclass and hands-on accessSaturday’s masterclass options Marko Mladenovic SAS discussing “Vreme Zla” (Time of Evil), shot on Sony Venice 2. Joined by colorist Goran Todoric and moderated by Sony’s Daniel Listh, the session examines sensible workflow choices on high-end Serbian tv manufacturing.Convention supplies promise “new tools, instruments, new lights and lenses might be introduced for fingers on” entry all through the three days. FilmLight’s presence by means of Daniele Siragusano suggests colour grading software program demonstrations, significantly Chromogen software program for creating movie appears inside digital workflows.Why working cinematographers attendIMAGO conferences prioritize cinematographer-specific considerations: authorship rights, working situations, technical requirements, schooling, and peer information trade. Not like manufacturer-driven commerce reveals, ODCC gives direct entry to IMAGO Technical Committee analysis on noise efficiency, HDR requirements, AI instrument analysis, and colour science.The convention’s technical credibility stems from Technical Committee involvement. Members like David Stump, Philippe Ros, and Christian Wieberg-Nielsen contribute to paint science requirements, workflow finest practices, and tools analysis that cinematographers depend on for manufacturing choices.Earlier ODCC editions attracted 100+ cinematographers from throughout Europe and internationally, providing intimate, accessible environment the place individuals can have interaction instantly with outstanding cinematographers and technical specialists.Oslo Digital Cinema Convention 2025 takes place November 21-23. Picture credit score: ODCC websiteRegistration particulars for Oslo Digital Cinema Convention 2025Registration closes November 15, 2025. IMAGO member societies, FNF members, and Norwegian movie union members pay NOK 650 (roughly €60), whereas non-members and firms pay NOK 1,450 (€125). The price consists of espresso all through, mild lunches Saturday and Sunday, Friday night reception, and Saturday’s pizza occasion at Storyline Studio.For worldwide IMAGO members going through substantial journey prices, FNF and IMAGO provide grants protecting participation charges. Candidates should contact convention coordinator Paul René Roestad at [email protected] earlier than registering.Norwegian individuals register by way of letsreg.com, whereas worldwide attendees contact Roestad instantly by way of electronic mail or telephone (+47 9209 1400). The convention runs Friday 11:30 AM by means of Sunday 2:45 PM at Filmens Hus / Norwegian Movie Institute, Dronningens gate 16, 0152 Oslo.IMAGO context mattersIMAGO represents 54 nationwide cinematographer societies and over 4,000 members globally. Based in Rome in 1992 by 4 European societies (AIC Italy, AFC France, BSC Nice Britain, BVK Germany), the group developed from European to worldwide federation in 2023, now together with ASC, ACS, CSC, JSC, AAC and societies throughout Latin America, Asia, and Africa.Present president Mustapha Barat ABC leads a corporation that explicitly champions cinematographers’ co-authorship standing alongside administrators and writers, a authorized distinction with profound implications for residuals, inventive management, {and professional} standing.Oslo’s Digital Cinema Convention, operating biannually since 2006, represents the ninth version of Europe’s most constant technical cinematography gathering. Convention coordinator Paul René Roestad FNF, former IMAGO President and present Honorary Member, has refined ODCC’s format throughout 9 editions.With AI reshaping cinematography workflows and authorship questions rising extra advanced, will you attend Oslo Digital Cinema Convention 2025 to grasp these implications firsthand? What AI periods are most related to your present workflow challenges? Don’t hesitate to tell us within the feedback under!