In an fascinating story of preservation and, maybe, likelihood luck, a set of ASC Todd-AO prime lenses from the Nineteen Fifties has been discovered, restored, and made out there to the final filmmaking public as soon as once more. Introduced to be out there for lease completely at Keslow Digital camera, these ASC Todd-AO 65mm Primes helped to shoot Hollywood classics akin to Oklahoma!, Across the World in 80 Days, The Sound of Music, South Pacific, Cleopatra, The Alamo, Hiya, Dolly!, and Patton. Let’s check out these iconic primes and discover how they have been refurbished by the ASC and Zero Optik and introduced again to life for large-format tasks as we speak.
ASC Todd-AO Prime Lenses
Todd-AO Prime LensesCredit: Keslow CameraDesigned initially as a part of a groundbreaking cinematic system developed within the early Nineteen Fifties to revolutionize widescreen filmmaking, these Todd-AO primes have been created by producer Mike Todd in collaboration with the American Optical Firm.The Todd-AO system was designed to compete with Cinerama by providing filmmakers of the period a high-resolution, single-camera different that would ship immersive visuals with out the complexity of a number of synchronized projectors.Refurbished by the ASC and Zero Optik, the Todd-AO lenses have been re-engineered as a group of 9 prime lenses designed for large-format cinematography. This newly refurbished set spans focal lengths from 18mm to 135mm and every presents distinctive T-stop and shut focus traits, with standout specs just like the ultra-wide 18mm T5.3 (CF: 1’1″) and the versatile 60mm T2.1 (CF: 1’7″). Uniform focus and iris gear placement throughout the set ensures seamless lens swaps, whereas all however the 18mm share a 95mm entrance diameter (the 18mm contains a 114mm entrance).
Out there to Hire at Keslow Digital camera
Todd-AO Prime lens on a contemporary massive format cameraCredit: Keslow CameraNow out there to lease completely at Keslow Digital camera, the ASC Todd-AO 65mm Primes are being billed as a wonderful pairing choice for any large-format digicam platform, masking sensors as much as 65mm in dimension.“The restoration and refurbishing of those lenses, which was spearheaded by our personal Shelly Johnson, displays the ASC’s dedication to preserving the instruments that formed our visible language. By restoring the Todd-AO lenses, we’re doing greater than merely honoring cinematic historical past — we’re empowering filmmakers to discover new artistic frontiers with the soul of basic optics.” — ASC President Mandy Walker,The brand new, up to date housings at the moment are custom-built to assist PV, PL, and LPL mounts and are simply interchangeable to assist with any trendy manufacturing workflows. The housing additionally now contains a distinctive distressed steel end, designed to patina over time and is stuffed with trendy mechanics.You’ll find out extra information about these ASC Todd-AO 65mm Primes on Keslow Digital camera’s website right here.From Your Web site ArticlesRelated Articles Across the Net
