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    Home»Content»Madonna: Veronica Electronica review – Ray of Light rarities range from perfect to perfunctory | Madonna
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    Madonna: Veronica Electronica review – Ray of Light rarities range from perfect to perfunctory | Madonna

    onlyplanz_80y6mtBy onlyplanz_80y6mtJuly 24, 2025No Comments4 Mins Read
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    Madonna: Veronica Electronica review – Ray of Light rarities range from perfect to perfunctory | Madonna
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    It’s laborious to overstate the influence of Ray of Mild, Madonna’s seventh album. Launched in 1998, it completely reshaped Madonna’s profession, embracing trip-hop, electronica and Britpop and basically proving to an unfriendly public that she was one among pop’s nice auteurs. It spawned one among her greatest singles – the haunting energy ballad Frozen – and its title observe remains to be a staple of radio and DJ playlists. Prior to now few years, many of up to date and underground pop’s most important names – together with Caroline Polachek, Addison Rae, a.s.o., Shygirl and FKA twigs – have referenced Ray of Mild, whether or not immediately or not directly. It’s a idiot’s errand to attempt to make a case for the very best or most important Madonna album – she has at the least 5 sturdy contenders – but when there’s a consensus decide, it’s Ray of Mild.The art work for Veronica ElectronicaWhich is why the announcement of Veronica Electronica, a full-length Ray of Mild remix album, was met with such hysteria from followers earlier this yr. Madonna has spoken at size through the years about each Veronica the character – in true Madonna vogue, Veronica stems from a vaguely contradictory idea through which she is each a lady dancing at a membership and, someway, “medieval” – and the album, which she meant to launch after Ray of Mild however ended up shelving. For diehards, the promised file is one thing of a holy grail – by no means thoughts that this long-awaited launch solely accommodates two actually new songs, one among which, an previous demo titled Gone Gone Gone, has been floating round on the web for years.Even so, it’s laborious to disclaim the straightforward pleasures that may be derived from listening to some all-time nice Madonna remixes reduce all the way down to radio size and sequenced like the unique Ray of Mild. Drowned World/Substitute for Love sounds nice taken out of its authentic glacial trip-hop context and became a DayGlo acid rager by BT and Sasha; the emotional ambiguities of the unique tune are changed with heat positivity, and you may simply think about the tune soundtracking the ultimate minutes of a raging home celebration because the solar begins to rise. Different tracks, comparable to Peter and Victor’s remix of Pores and skin – the opposite new tune right here – take an reverse tack; they heighten Pores and skin’s innate moodiness with a steely, exploratory techno beat punctuated by huge, sharp breaks, turning the unique observe into one thing tweaky and unsettled.The trailer for Veronica Electronica – videoAs is usually the case with remix data, there are moments on Veronica Electronica that really feel perfunctory – specifically, the Membership 69 remix of Nothing Actually Issues. Maybe any remix of the unique tune will all the time be held to a better commonplace, given its standing as one of many solely out-and-out membership tracks on Ray of Mild, however not like lots of the remixes on the album, it feels as if there’s no relationship between the supply materials and the rework right here, apart from Madonna’s vocal, which is looped to the purpose of irritation. It’s irritating when individuals declare to “hate remixes”, as for those who can put a blanket assertion on a whole artform, however this type of remix could make you sympathise with the sentiment.Fabien’s Good God mixture of The Energy of Good-Bye, alternatively, represents all of the potential of a curio venture like this: a bizarrely minimal drum’n’bass rework of one among Madonna’s finest ballads, it finds huge energy within the battle between Fabien’s more and more frenetic drums and Madonna’s serene, sorrowful vocal. It’s a surprisingly acceptable lead-in to Gone Gone Gone, a tune so brilliantly bizarre that you simply actually can perceive why it was left off the unique album. It’s, basically, a wistful breakup ballad set to a squelchy electro beat – a surreal tonal conflict that hardly gels with Ray of Mild’s placid waters, however which provides a shocking quantity of perception into Madonna’s inventive state on the time: right here is likely one of the greatest stars on the planet, in her inventive prime, throwing something on the wall to see what sticks. For that peek backstage alone, Veronica Electronica is well worth the worth of admission.

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