OFG Customs LONG SHOT Introduced – Optical Adapter Brings Full-Frame, Large-Format, Vista Vision Lenses to 16mm

Should you’ve ever wished to present 16mm a full-frame look, the OFG Customs LONG SHOT optical adapter now makes it attainable. It means that you can use full-frame, large-format, and Vista Imaginative and prescient lenses on 16mm movie cameras whereas preserving the field-of-view, depth-of-field, and lens character of these bigger codecs. It will actually open the door for 16mm followers with the addition of so many lens choices, so let’s take a more in-depth take a look at this adapter.OFG (Outdated Quick Glass), based by cinematographer Mark LaFleur in Los Angeles, has turn out to be a artistic hub for filmmakers drawn to classic, fashionable, and custom-built cinema lenses. OFG Customs, a division of Outdated Quick Glass, focuses on growing and modifying optics to realize a particular visible character. With an in depth catalog, OFG collaborates with rental homes and productions worldwide, restoring, rehousing, and reimagining lenses that merge the soul of basic glass with the precision of contemporary design.At NAB 2024, we took a take a look at the OFG Customized 65, a custom-built digital cinema digicam designed across the FUJIFILM GFX100 II. Then they launched an adapter for the Cooke 25mm T.24 lens, successfully changing it into an 18.5mm T2.4 lens. Now they’ve launched the LONG SHOT, an adapter to widen the probabilities of working in 16mm.Design and compatibilityThe LONG SHOT is designed for PL-mount 16mm cameras just like the ARRI 416, ARRI SR3, AATON Xtera, XTR Prod, Minima, and Bolex H16, giving these cameras many extra artistic choices. You should use a variety {of professional} lenses, together with each spherical and full-frame 1.5x anamorphic lenses, to create a brand new search for 16mm. With Tremendous 16mm movie, taking pictures anamorphic offers you a de-squeezed 2.49:1 facet ratio – very near the basic 2.40:1 cinema commonplace, and also you solely want minimal cropping.Picture credit score: OFG CustomsBuild and connectivityThe OFG Customs LONG SHOT options interchangeable mounts and ships with a combo LPL/PL model, with non-compulsory Canon EF, Nikon F, Canon FD, BNCR, and OCT-19 mounts accessible. Every is shimmed for correct focus marks. Constructed-in 3-Pin Fischer and 2-Pin LEMO ports present R/S and accent energy, whereas the built-in cage helps 15mm LWS, 15mm Studio, and 19mm Studio configurations for normal rigging.CANON FD-X 35mm T1.6. Picture credit score: OFG CustomsExposure controlA standout characteristic is the interior publicity system, which adjusts brightness with out affecting depth of area or introducing shade shifts. This reduces reliance on ND filters and permits for easy “iris racks” immediately in-camera, for instance, when transferring from a vivid exterior to a shaded inside.FeaturesCapture the field-of-view and depth-of-field of FF/LF/VV lenses on the 16mm formatCompatible with all PL mount 16mm movie camerasLPL, PL, EF, F, BNCR mounts availableCompatible with full-frame anamorphic lensesInternal publicity compensation with out affecting depth-of-field3-pin Fischer R/S and 2-pin LEMO energy distributionIncludes {custom} cage and helps 15mm LWS, 15mm Studio, and 19mm StudioPETZVALUX 80mm T1.9. Picture credit score: OFG CustomsDevelopment and inspirationThe OFG Customs LONG SHOT started as an concept from cinematographer Gary Lengthy, who wished to deliver the depth and suppleness of large-format optics to 16mm movie. He approached OFG Customs, the event arm of Outdated Quick Glass, recognized for creating and modifying lenses for its intensive rental stock.In keeping with OFG founder Mark LaFleur, this challenge marks the primary time OFG Customs has developed a product based mostly on a cinematographer’s idea relatively than an in-house design. The adapter permits full-frame and Vista Imaginative and prescient lenses to challenge their full picture circle onto 16mm movie, combining large-format depth with 16mm texture.Remaining thoughtsIt’s uncommon for a instrument to really feel prefer it expands a format relatively than simply adapting it, however the OFG Customs LONG SHOT appears to do precisely that. By letting cinematographers use Vista Imaginative and prescient and full-frame lenses on 16mm movie, it blurs the road between small-format texture and large-format depth. Named after cinematographer Gary Lengthy, whose concept sparked the collaboration, the challenge exhibits what’s attainable when technical curiosity meets real affection for movie. As Mark LeFleur put it, “It’s nearly like inventing a brand new format.” If that proves true, 16mm could also be coming into one in every of its most artistic chapters but.For extra data, please see the OFG web site right here.For filmmakers who love 16mm, does the LONG SHOT clear up the lens limitations which have held you again? How would entry to full-frame or anamorphic glass change the way in which you strategy 16mm storytelling?