Olivia Rodrigo leaves Glastonbury on a high, with The Cure and Colin The Caterpillar

Mark SavageMusic CorrespondentReporting fromGlastonbury FestivalEPAAged 22, Olivia Rodrigo is the third-youngest Pyramid Stage headliner of all time – after Billie Eilish and AshGlastonbury saved the most effective ’til final, with a triumphant set by American star Olivia Rodrigo to shut the competition’s Pyramid Stage.After the artifice and depth of earlier headliners The 1975 and Neil Younger, the 22-year-old stomped her approach via a collection of crisp, punk-pop anthems and heartfelt ballads in regards to the injustices of younger love.She charmed her English followers by professing her love for Marks and Spencers’ Colin The Caterpillar sweets; and received over Glastonbury veterans by duetting with The Treatment’s Robert Smith (“maybe the most effective songwriter to come back out of England”).”Glastonbury’s been my dream competition perpetually and I am unable to consider as we speak’s the day,” she beamed.Getty ImagesWith The Treatment, Robert Smith has headlined Glastonbury 4 occasions within the pastThe set was a crowning second for the singer, who solely launched her first single, Drivers License, 5 years in the past.A determined cry of loneliness, the ballad broke Spotify streaming data in simply 24 hours. Then it broke them once more. Seven days later, it entered the UK and the US charts at primary, immediately catapulting the singer from Disney actress to fully-fledged pop star.Drivers License forged her as “the unhappy piano woman” within the public creativeness – however she rapidly deconstructed that picture with a flurry of dynamic, guitar-heavy pop anthems that constructed on the templates established by Joan Jett, Alanis Morisette and Avril Lavigne.It was these sounds that opened her Glastonbury set, with the crunchy riffs of Obsessed, a self-mocking track about her jealousy; and the semi-autobiographical Diary Of A Homeschooled Woman.Wearing a white lace corset and knee-high bovver boots, she high-kicked throughout the stage, whipping the gang right into a frenzy.”How are we doing tonight Glastonbury,” she screamed. “I do not suppose I’ve ever seen so many individuals in my life.”Guys, it is the final night time of the competition. Are you able to have some enjoyable?”She undercut the query barely by launching into Drivers License – however watching the military of younger followers holler these lyrics again at her, there was a communal sense of catharsis, at the least. PAThe star performed a cherry purple guitar a number of occasions in the course of the set, together with for a solo model of “the favorite track I’ve written” Sufficient For You.The remainder of the set balanced her competing impulses: rock chick, singer-songwriter, rabble rouser, strident feminist, heartfelt balladeer.However above all else, she’s a music fan. Her determination to duet with Glastonbury veteran Robert Smith, reasonably than a pop up to date like Harry Types or Lorde, flowed straight from her love of 80s British pop.As they performed The Treatment classics Friday I am in Love and Simply Like Heaven, Rodrigo stored glancing over at Smith, beaming from ear to ear, like she could not consider her luck.She added little harmonies to the songs, embellishing with out being disrespectful – and Smith gave the impression to be simply as enamoured with Rodrigo as she was with him, watching the remainder of her set from the wings of the Pyramid Stage.”He is the nicest, most fantastic man ever and I am so honoured to play with him tonight,” she gushed.EPAThe star had additionally headlined London’s BST competition on Friday, the place she duetted with Ed SheeranThat guilelessness labored in her favour. For the viewers, it usually felt like watching your cool older sister (or your precocious younger daughter) up on stage, reasonably than some untouchable pop star.What’s extra, Rodrigo wanted not one of the standard pop star props. There was no choreography. Till the encore, there was just one costume. All she required had been the songs and her pin-sharp, all-female band.She charmed the viewers much more as she launched the brand new wavey So American – a track in regards to the inside jokes she shared with an English boyfriend.”I really like England a lot,” she mentioned. “I really like how no person judges you for having a pint at midday. I really like English sweets, all of the sweets from M&S, Colin the Caterpillar particularly.”True story: I’ve had three sticky toffee puddings since coming to Glastonbury. And as luck would have it, I really like English boys.”England beloved her proper again, saving their largest response for her encore – a headlong rush via Brutal, All American Bitch, Good 4 U and Get Him Again.She left the stage beneath a downpour of fireworks, as inflatable balls bounced across the viewers and our ears rang with suggestions.It was, arms down, the most effective (and best-attended) headline set of the weekend. Olivia Rodrigo had understood the temporary: Convey the hits. Make it distinctive. And make it private.Maybe she’d discovered that from Jarvis Cocker, whom she’d watched from her boyfriend’s shoulders on Saturday.”To get pleasure from Glastonbury, you must undergo it,” he suggested. Rodrigo channeled that spirit innately. She’s welcome again any time.A glimpse of Olivia’s setlist Earlier on Sunday, The Selecter opened up the ultimate day of music on the Pyramid Stage, with an brisk set of punchy ska anthems.Singer Pauline Black, a former NHS employee, devoted Frontline to her colleagues, saying we would thank them after we wanted their assist for “all these knees and all these hips within the not-so-distant future”.And the gang carried her via the band’s largest hit, On The Radio, as her voice cracked on the trilling excessive notes.”As you may inform, my voice is hurting,” she defined. “Are you going to assist me?” They did not want asking twice.Getty ImagesJoy Crookes appeared sensational in a inexperienced and pink sariCeleste took our breath away with a grungier, angrier sound than the floaty jazz-soul of her debut.The singer, who received the BBC’s Sound Of 2020, has taken 5 years to comply with up her chart topping album, Not Your Muse, however informed the viewers “every thing occurs when it is purported to”.On the idea of On a regular basis – an excoriating, paranoid monitor constructed round Demise In Vegas’s 1999 dance hit Dirge – the brand new materials has been definitely worth the wait.Additionally previewing new materials was London soul-pop singer Pleasure Crookes. Wearing a hanging pink and inexperienced sari, she sauntered via the bassy grooves of latest singles Move The Salt and Carmen, coming throughout like a latter-day Amy Winehouse.The spotlight of her set was the brand new single Good Crime – with a refrain so immaculate that the gang had picked it up after one chorus.Getty ImagesThe Libertines’ Pete Doherty and Carl Barat introduced 2000s indie nostalgia to the Pyramid StageAfter an unexpectedly nostalgic set from The Libertines, Rod Stewart took to the Pyramid Stage within the prestigious “legend slot”.In full lounge lizard fashion, he performed large band preparations of hits like Do Ya Assume I am Attractive, Maggie Might and The First Minimize Is The Deepest, stuffed with bubbly blonde backing vocals and countless saxophone solos.Regardless of promising to “get in as many hits as I can”, the set had a wobbly begin, with a few lesser-known numbers. However he discovered his groove with 1984’s Some Guys Have All The Luck, after which the jukebox served up hit after hit. Ronnie Wooden got here out for a chummy duet on the Faces’ Keep With Me (an apparent spotlight) earlier than Stewart closed his set with a maritime singalong on We Are Crusing.Getty ImagesNile Rodgers and Stylish had an unassailable setlist of pop and disco hitsHe was adopted by Nile Rodgers and Stylish who, it must be mentioned, drew a good greater crowd for his or her feel-good disco anthems.The track decisions had been faultless, starting from Stylish’s Le Freak and Good Instances, to the songs Rodgers produced for Bowie (Let’s Dance, Fashionable Love) and Madonna (Like A Virgin, Materials Woman) within the 80s.As they performed, a biplane flew over the Pyramid Stage and drew a smiley face and a love coronary heart within the sky. It could not have come at a greater time.Over on the Woodsies stage, AJ Tracey gave a masterclass in crowd work.”I requested you for a mosh pit and I am not gonna mislead you, it was weak,” he scolded, promising to present the gang one thing to actually get their tooth into.At that time, Aitch burst onto the stage for the pair’s 2020 collaboration, Rain. To say the power ramped up can be an understatement on par with saying the floor of the solar is a little bit heat to the contact.The set continued with a clutch of UK rap anthems – Ladbroke Grove, Thiago Silva, Kiss and Inform – turning it into one of many weekend’s sweatiest exhibits.Different standout units on the festivals’ remaining day included The Prodigy, who devoted their set on The Different Stage to late frontman Keith Flint; and Jorja Smith, who supplied a soothing set of British soul for the competition’s extra weary revellers.PA MediaWolf Alice marked themselves out as future headlinersWolf Alice delivered a crowd-pleasing cowl of Fleetwood Mac’s Goals on The Different Stage, nevertheless it was their ode to friendship, Bros, that despatched the viewers into rapture.Previous associates, finest mates and new-found companions hugged one another and swayed deliriously to the track’s “me and also you” chorus.The band solely performed two songs from their highly-anticipated fourth album, The Clearing – however lead single Bloom Child Bloom was handled like an previous pal.The brand new materials is extra angular, extra face-forward than their earlier work; and lead singer Ellie Rowsell gave the impression to be having fun with her newfound confidence as a frontwoman.After the scrumptious love track The Couch, she poured a bottle of water over her head, shook off the droplets, grabbed a megaphone and screamed out the lyrics to the band’s two loudest, punkiest songs, Yuk Foo and Best Hits.Count on to see them on the prime of the invoice when Glastonbury returns in 2027.