The Sigma 35mm f/1.2 DG II Artwork lens presents an uncommon mixture of pace and sharpness in a well-known focal size. A 35mm lens with an f/1.2 aperture opens up choices that usually lean towards 50mm territory, providing you with background separation and topic isolation with out shedding the flexibility of a wider view. That mixture is why many take into account this sort of lens a sensible instrument moderately than a specialty piece.
Coming to you from Christopher Frost, this detailed video explores the Sigma 35mm f/1.2 DG II Artwork lens. Frost explains how this new model is smaller and lighter than the unique, which was identified for its dimension and heft. He additionally factors out improved autofocus efficiency, an actual benefit in the event you depend on fast, correct monitoring. The lens holds up beneath shut inspection at f/1.2, with sharpness within the middle of the body that compares properly to Sigma’s personal 50mm f/1.2. These updates make the lens not solely simpler to deal with but in addition extra constant throughout completely different makes use of.
Frost additionally covers the bodily elements of the lens. At 755 g, it isn’t mild, however the construct feels premium with a mixture of steel and heavy-duty plastic. Controls are beneficiant: an aperture ring that may click on or rotate easily, a guide focus change, and a spotlight maintain button. Climate-sealing is included, with a gasket on the mount. Autofocus is quick, quiet, and correct, marking one other enchancment over the primary model. Even video shooters profit for the reason that lens exhibits minimal focus respiratory and clean aperture transitions when wanted.
Key Specs
Focal Size: 35mm
Aperture: Most f/1.2, Minimal f/16
Lens Mount: Sony E, Leica L
Format Protection: Full body
Minimal Focus Distance: 11″ / 28 cm
Magnification: 0.19x
Optical Design: 17 components in 13 teams
Aperture Blades: 11, rounded
Focus Sort: Autofocus
Picture Stabilization: No
Filter Dimension: 72 mm
Dimensions: 3.2 x 4.4″ / 81 x 111.4 mm
Weight: 26.6 oz / 755 g
What stands out in Frost’s testing is how the lens handles picture high quality challenges. Distortion is optically corrected, leaving nearly none seen, which isn’t widespread in fashionable designs that always depend on software program fixes. Vignetting is powerful broad open, however improves shortly when stopped down. Coma is properly managed, even at f/1.2, making it helpful for night time scenes. Flare resistance can be stable, with distinction staying intact in opposition to brilliant mild sources. These traits mix to make the lens extremely succesful for each stills and video in demanding conditions. Try the video above for the total rundown from Frost.
