The Sigma 16-300mm f/3.5-6.7 DC OS Modern lens guarantees to interchange a number of lenses in your digicam bag with a single ultra-versatile zoom. When you may seize all the pieces from extensive landscapes at 24mm equal to distant wildlife at 450mm equal, the query turns into whether or not picture high quality holds up throughout such an excessive vary.
Coming to you from Michael Sladek Pictures, this considerate video places Sigma 16-300mm f/3.5-6.7 DC OS Modern lens via real-world testing over a number of weeks. Sladek compares the Sigma straight towards his traditional two-lens setup: the Fujifilm 16-80mm f/4 and 70-300mm f/4-5.6, which collectively value about $1,600 in comparison with the Sigma’s $769 price ticket. The video demonstrates the lens’ flexibility by exhibiting the identical scene captured at focal lengths from 17mm all the best way to 300mm, revealing simply how dramatically your composition choices change. You may see examples of wildlife pictures, macro work, and panorama pictures that showcase the lens’ optical efficiency throughout its zoom vary.
The Modern sequence designation means you are getting glorious optics in a thermally steady composite physique reasonably than steel building. Whereas this protects weight and price, you sacrifice some weather-sealing in comparison with Sigma’s Artwork or Sports activities strains. The variable aperture begins at f/3.5 at 16mm however closes all the way down to f/6.7 at 300mm, with most of that change occurring by 180mm the place it reaches f/6.7 and stays there. Sladek checks autofocus efficiency with birds in flight and finds it matches his Fujifilm lenses for pace and accuracy. The lens focuses remarkably shut at 300mm, providing spectacular magnification for macro-style pictures.
Key Specs
Focal Size: 16-300mm (24-450mm full body equal)
Aperture: f/3.5-6.7 variable, f/22-45 minimal
Weight: 21.7 oz (615 g)
Filter Dimension: 67mm
Minimal Focus: 6.7″ at extensive finish, 41.3″ at telephoto
Development: 20 parts in 14 teams
Picture Stabilization: Sure
Essentially the most compelling facet is not simply the comfort issue. Sladek’s side-by-side picture high quality comparability at 300mm between the Sigma and Fujifilm 70-300mm reveals just about equivalent outcomes when seen at regular print sizes. This implies you are not making vital optical compromises for the comfort of carrying one lens as an alternative of two. The lens works throughout a number of digicam programs together with Sony E-mount, Canon RF, Fujifilm X-mount, and L-mount (all APS-C), making it accessible no matter your digicam selection. For journey pictures or conditions the place you need most flexibility with out the majority of a number of lenses, this turns into an attention-grabbing proposition. Take a look at the video above for the complete rundown from Sladek.
