If you’re selecting a lens in your digital camera, versatility issues: having the ability to deal with completely different sorts of images retains issues easy, making journeys and shoots extra gratifying. An ideal all-arounder for Micro 4 Thirds customers may appear elusive, however this video checks one contender that is effectively value your consideration.
Coming to you from Chris Baitson, this sensible video explores utilizing the OM SYSTEM M.Zuiko Digital ED 12-100mm f/4 IS PRO lens for various conditions. Baitson normally prefers Olympus’s widespread 12-40mm f/2.8 choice, however he determined to shake issues up by experimenting with this barely extra telephoto zoom. Whereas the f/4 aperture offers up a cease of sunshine in comparison with the quicker lens, it gives an extended focal vary (24mm to 200mm full body equal) which could profit you relying in your typical situations. All through the video, Baitson takes the lens out in attention-grabbing situations that push its capabilities, from landscapes and gradual shutter pictures to casual hen images. He admits upfront that this is not a devoted wildlife lens. As a substitute, he sees if the mix of prolonged attain and compact flexibility makes it a powerful generalist selection.
The lens itself has key sensible strengths: built-in picture stabilization means steadier handheld pictures, whereas its rugged, weather-sealed development fits outside images. Having a relentless f/4 aperture by way of the zoom vary, though slower than an f/2.8 lens, stays advantageous in brightly lit scenes or when reasonable background blur issues greater than absolute light-gathering energy. Baitson takes benefit of the OM system digital camera’s hen autofocus mode, masking informal wildlife images in situations the place shut topics offset shorter most attain. Although he mentions this is not really the best lens for critical wildlife capturing, its efficiency surpasses expectations in much less demanding situations.
Key Specs
Focal Size: 12 to 100mm (35mm Equal: 24 to 200mm)
Aperture: Most: f/4, Minimal: f/22
Angle of View: 84° to 12°
Minimal Focus Distance: 5.91″ / 15 cm
Magnification: 0.3x Magnification (1:3.33 Macro Copy)
Optical Design: 17 Components in 11 Teams
Aperture Blades: 7, Rounded
Autofocus: Sure
Picture Stabilization: Sure
Filter Measurement: 72 mm (Entrance)
Dimensions: ø: 3.05 x L: 4.59″ / ø: 77.5 x L: 116.5 mm
Weight: 1.23 lbs / 561 g
Baitson’s real-world strategy demonstrates sensible upsides when getting artistic: taking portraits at 100mm (200mm equal), or zoomed-in element compositions of waves and cliffs that spotlight small components of movement and colour. He emphasizes that these aren’t very best situations for this lens, but it surely performs effectively sufficient to justify its place as a strong selection for individuals who need flexibility with out carrying quite a few lenses. In case your capturing does not all the time deal with a single specialised area of interest and also you typically have to adapt on the fly, this lens delivers. Nonetheless, he makes clear that critical low-light images or night time sky capturing nonetheless advantages from the brighter f/2.8 lens. Take a look at the video above for the complete rundown from Baitson.
