GFX versus X collection isn’t a spec-sheet feud. It’s a query about your again, your price range, and the way you progress throughout a 10-hour wedding ceremony whereas nonetheless wanting that medium format look. The video takes that rigidity head-on with actual wedding ceremony use, not desk-bound idea.
Coming to you from John Department IV Images, this candid video weighs the lure of the Fujifilm GFX100 II and the brand new rangefinder-style Fujifilm GFX 100RF towards the sensible velocity of the Fujifilm X-T5. You hear the blunt reality about weight first. Our bodies are heavier, and the favourite GFX primes—the Fujifilm GF 55mm f/1.7 R WR and Fujifilm GF 80mm f/1.7 R WR—are thick and never shy about it. Swap to the X system and your shoulders discover instantly, particularly when you carry flashes and a sling all day. The worth unfold lands simply as exhausting. GFX glass sits close to $3,000 a bit, whereas an X physique just like the X-T5 and a bread-and-butter prime such because the Fujifilm XF 56mm f/1.2 R WR preserve the full equipment spend far decrease.
Department additionally talks velocity with out hedging. Medium format isn’t sluggish anymore, and GFX autofocus is completely usable for ceremonies, exits, and first seems to be when you work with intention. Nonetheless, the X-T5 fires faster, clears buffer sooner, and feels snappier for grab-and-go moments when a candid unfolds two pews over. That’s not a knock on the GFX100 II. It’s an sincere reminder that sensor dimension carries overhead. You additionally get a wise workaround: pair a good GFX prime with a wider second physique and skip frequent lens swaps. When a real extensive is required, the GFX system has choices just like the Fujifilm GF 23mm f/4 R LM WR or the Fujifilm GF 20-35mm f/4 R WR, however these add weight within the bag.
Picture high quality is the place temptation wins. The GFX recordsdata hit 102 megapixels and nonetheless look crisp when scaled for internet, which you’ll discover even in small galleries. Department leans on that decision to crop exhausting when wanted with out wrecking element or pores and skin texture after retouching at f/1.7. The flip facet is workflow. Bigger recordsdata sluggish culling and chew storage, so that you commerce time and disk for that additional chunk of readability. The X-T5’s 40 megapixels stay lots croppable, and with the fitting glass and publicity self-discipline, side-by-sides received’t embarrass the smaller sensor on an iPhone display or a 12×18 print. The query turns into much less “Which is ‘higher’?” and extra “When does the additional decision change the shot you ship?”
There’s additionally the human half you’ll be able to’t type with charts. Carrying twin GFX our bodies for an 8-hour day is totally different than working a pair of X-T5s with compact primes. Your knees know the distinction by the reception. Your price range does, too, when you think about backups, redundancy, and the way typically you really want billboard crops versus dependable, quick protection of unpredictable moments. Department’s compromise exhibits one approach to break up the issue with out hauling a trunk of lenses. Try the video above for the total rundown from Department.
