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Quick ahead a couple of years, and he’s now one of the distinct motion administrators working as we speak—somebody who injects his combat scenes with ballet-like precision and a sly wink on the digital camera.Leitch’s directorial model blends bone-crunching practicality with smooth, high-octane aptitude. He thrives in hyper-stylized violence, characters who discuss like they’ve learn an excessive amount of pulp fiction, and a signature rhythm that seems like a mixture between a punchline and a sucker punch. Whether or not he’s flipping muscle vehicles in Samoa or staging a neon-lit stairwell brawl in Berlin, his motion sequences are tightly choreographed chaos.However past the stunts, his filmography swings between exhilarating and uneven. That’s what makes this rating a bit spicy.This checklist breaks down all six of Leitch’s directorial efforts—from the scrappy begin to the most recent field workplace blitz. The rating considers directorial imaginative and prescient, storytelling power, motion choreography, viewers influence, and the way every movie holds up within the action-verse.06. Hobbs & Shaw (2019)Written by: Chris Morgan and Drew Pearce | Directed by: David Leitch In Hobbs & Shaw (2019), Leitch stepped into the full-throttle world of the Quick & Livid universe, pairing up Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) in a high-octane buddy journey that hardly ever lifts its foot off the fuel. The plot is simple in the absolute best method: two frenemies should group as much as cease a cyber-enhanced supervillain, Brixton (Idris Elba), from unleashing a lethal virus. There’s globe-trotting, muscle-flexing, car-chasing, and extra slow-motion walkaways than your common season of The Bachelor.This movie gave Leitch his greatest canvas but, and he painted it with spectacle. The motion is ludicrously over-the-top—and pleased with it. What it might lack in emotional depth or narrative nuance, it greater than makes up for with sheer scale and bravado. The chemistry between Johnson and Statham is sharp, the set items are explosive (each actually and figuratively), and the Samoa sequence provides a refreshing spin to a franchise that normally sticks to road racing and skyscraper-hopping. Positive, the plot can get crowded and the villain arc leans cartoonish, however the film is aware of precisely what it’s—and leans into the enjoyable.There’s a invaluable lesson right here for rising filmmakers: if you’re engaged on a franchise juggernaut with a number of stars and an enormous price range, readability of tone is your finest good friend. Hobbs & Shaw exhibits that motion will be each extravagant and entertaining if it stays self-aware, and that directing charisma-heavy leads is simply as essential as choreographing the stunts round them.05. The Fall Man (2024)Written by: Drew Pearce | Directed by: David Leitch The Fall Man (2024) stars Ryan Gosling as Colt Seavers, a washed-up stuntman dragged again into the chaos when a film star disappears mid-production. Emily Blunt performs Jody Moreno, a rising director and Colt’s ex, who’s caught between her imaginative and prescient for the movie and the spiraling behind-the-scenes catastrophe. It’s a film about making films—or extra particularly, a rom-com-action hybrid that tries to honor stunt performers whereas juggling style tones.There’s one thing genuinely endearing about The Fall Man. Leitch is clearly pouring his coronary heart out in tribute to the stunt group that raised him. The movie is full of actual stunt work, intelligent in-jokes, and nods to trade tradition. Its tone is gentle on its ft, the chemistry between Gosling and Blunt is irresistible, and the set items—particularly the single-take stunt sequence—are pure adrenaline poetry. That stated, the pacing often drags, and a few of the meta-humor feels stretched skinny. Nonetheless, these are minor pace bumps in what’s in any other case a heartfelt tribute wrapped in a crowd-pleasing package deal. It’s not his tightest narrative, but it surely’s simply considered one of his loveliest.What shines right here is Leitch’s deep respect for the stunt group. For filmmakers who’ve frolicked behind the scenes or dream of it, The Fall Man is a reminder that nice motion doesn’t have to return from results and budgets. It will possibly, somewhat, it ought to, come from the individuals keen to take successful for the shot.04. Bullet Prepare (2022)Written by: Zak Olkewicz | Directed by: David Leitch Bullet Prepare (2022) follows Ladybug (Brad Pitt), a self-proclaimed unfortunate murderer, on a mission to get well a briefcase aboard a dashing Japanese prepare. He’s not alone—5 different hitmen with intersecting agendas, colourful aliases, and wildly completely different personalities are additionally aboard, turning the journey right into a kinetic, kill-or-be-killed experience. It’s a movie the place mayhem is fixed, and almost each body is loaded with wit, stylized violence, and absurdly enjoyable coincidences.Leitch leans absolutely into his aptitude for managed chaos right here. Visually, the movie is a pop-art blast. The motion sequences—notably these involving “Lemon” (Brian Tyree Henry) and “Tangerine” (Aaron Taylor-Johnson)—are meticulously choreographed and characterised, every motion revealing one thing new in regards to the individuals concerned. Admittedly, the plot can get overcomplicated, and the tonal shifts are jarring at instances. However there’s no denying the movie’s wild ambition and power. It’s large, messy enjoyable, with the sort of genre-blending confidence few administrators would even try.What’s price noting for upcoming administrators is Leitch’s fearlessness with type. Bullet Prepare exhibits how construction will be playful with out being chaotic, and the way character quirks—when rooted in theme—can elevate a easy motion setup into one thing that feels virtually mythic. When you’re going to swing large, that is the way you do it.03. Atomic Blonde (2017)Written by: Kurt Johnstad | Directed by: David Leitch In Atomic Blonde (2017), Charlize Theron performs Lorraine Broughton, an elite MI6 agent despatched into Chilly Battle-era Berlin to get well a stolen checklist of double brokers. Her mission turns right into a brutal and trendy recreation of survival via a maze of shifting allegiances, together with with station chief David Percival (James McAvoy), whose motives are as murky because the East Berlin alleys they navigate.That is Leitch’s solo directorial debut—and what a calling card. The movie is a visible stunner, lit in blues and pinks, pulsing with synth tracks, and anchored by one of the bodily demanding performances of the last decade. The stairwell combat scene—filmed to appear to be a single take—is a masterstroke of pressure, brutality, and craft. Whereas the plot often will get tangled in its personal spy-vs-spy mechanics, that complexity doesn’t uninteresting its influence. If something, it enhances the icy intrigue.What makes Atomic Blonde so invaluable for filmmakers is its fusion of aesthetic and bodily storytelling. Leitch makes use of violence as a language right here—every punch and crack echoing character intent. It’s a uncommon instance of a director trusting the viewers to really feel their method via motion, somewhat than simply watch it.02. Deadpool 2 (2018)Written by: Rhett Reese, Paul Wernick, and Ryan Reynolds | Directed by: David Leitch Deadpool 2 (2018) sees Wade Wilson (Ryan Reynolds) making an attempt to avoid wasting a troubled mutant teen, Russell (Julian Dennison), from changing into a future killer, all whereas being hunted by the time-traveling soldier Cable (Josh Brolin). The result’s half household drama, half gore-soaked cartoon, and half superhero satire that by some means manages to juggle emotional beats with decapitations.Leitch picks up the place the unique left off and ranges it up. The movie’s motion is leaner, its emotional backbone stronger, and its ensemble tighter. The X-Drive parachute sequence? Hysterical and stunning. The ultimate act? Surprisingly heartfelt. Leitch brings self-discipline to the chaos, with out ever sanitizing what made the primary Deadpool successful. It’s simple to underestimate how tough it’s to handle this type of tonal whiplash, however right here it clicks. The one critique? A couple of gags really feel like they’re taking part in for response GIFs greater than story—however even then, they land most of the time.If there’s a takeaway right here, it’s the significance of tonal management. For any filmmaker stepping right into a beloved franchise, Deadpool 2 exhibits that respecting the DNA of a property whereas layering your individual rhythm and emotional core is what retains sequels feeling recent—not formulaic.01. John Wick (2014)Written by: Derek Kolstad | Directed by: Chad Stahelski (with David Leitch as uncredited co-director) John Wick (2014) is a couple of man who simply wished to grieve in peace. However after his canine is killed and his automotive is stolen, Wick (Keanu Reeves) dives again into the legal underworld he left behind, abandoning a path of our bodies—and redefining the fashionable motion movie alongside the best way. What begins as a revenge story unfolds into one thing mythic, introducing a world of assassins ruled by ritual, guidelines, and blood oaths.At the same time as an uncredited co-director, David Leitch was instrumental in crafting the look, rhythm, and soul of John Wick. The movie’s clear framing, lengthy takes, and emphasis on sensible stunts set it aside from the shaky-cam chaos of the period. The now-iconic membership shootout is virtually a ballet of bullets. And let’s not neglect: that is the place the “pencil kill” lore started. The story is tight, the stakes are clear, and each body feels deliberate. It’s an incredible motion movie that ended up being the style blueprint.It’s price noting that John Wick isn’t spectacular solely due to what’s on display screen—it’s primarily due to what it represents: a complete shift in how Western motion movies are made. The most important lesson right here? Limitations (like price range and scale) aren’t boundaries—they’re alternatives to innovate, streamline, and create one thing unforgettable.Closing Verdict: What Makes a Nice Leitch Movie?If there’s one fixed in David Leitch’s films, it’s this: he treats motion like choreography, not chaos. His finest movies are these the place the punches, kicks, and crashes are greater than eye sweet—they’re narrative beats. The characters survive the violence in model and go on to speak via extra violence. His worlds are stylized, barely absurd, and sometimes darkly humorous. However that very same model can typically smother a narrative, leaving sure movies trying cooler than they really feel.What Leitch nails is the physicality of cinema. He champions actual stunts, tangible ache, and dynamic digital camera work. He’s at his finest when he is reined in—when the plot doesn’t meander, the tone doesn’t wobble, and the motion has that means. When these items lock into place, you get John Wick. After they don’t, you get Hobbs & Shaw. Nonetheless, a couple of administrators working as we speak are pushing the style in additional visually thrilling methods.So the place does he go subsequent? If The Fall Man was a self-aware nod to his previous, perhaps his upcoming How you can Rob a Financial institution (anticipated to launch in September 2026) will probably be a touch at his future.Both method, the blueprint is obvious: hold it tight, hold it brutal, and always remember the place you got here from—even when it was a flaming automotive flip.