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    Home»Editing Tips»Why Persistence Matters in Landscape Photography
    Editing Tips

    Why Persistence Matters in Landscape Photography

    onlyplanz_80y6mtBy onlyplanz_80y6mtJune 23, 2025No Comments6 Mins Read
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    Why Persistence Matters in Landscape Photography
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    As panorama photographers, we’ve all been there—tried to get a shot on many events and failed for one motive or one other. Essentially the most frequent motive is that the climate did not play by the principles we had in thoughts; nonetheless, generally it does, and when it does, it makes all of it worthwhile. That is my story about persistence and sticking to my weapons to get the dream shot.

    Pine Island on Derryclare Lough in Connemara has been a kind of places I’ve returned to again and again. Every go to was an try and lastly seize the picture I had visualized for years, and every time, one thing would go fallacious: an excessive amount of wind, poor mild, or simply circumstances not aligning. However I stored returning. I believe it’s one thing most panorama photographers perceive—the worth in not giving up too simply. Circumstances change consistently, and whereas the percentages are hardly ever in your favor, you solely want one good morning to make all the hassle value it.

    Throughout a one-to-one workshop in early Might, I used to be again in Connemara. We completed our first night at Pine Island, and I may see the forecast was beginning to come collectively. The sky was clear, the water calm, and the moon virtually full. After dropping my consumer again in Galway, I made the choice to return to the placement. The sunshine from the moon lit the scene sufficient for a shot, and with a mirror-flat lake floor and the celebrities seen above and mirrored under, it was too good to disregard. I didn’t have a quick lens with me—simply my typical 16–35mm f/4—however I made it work.

    I set the alarm for six:00 a.m., simply 45 minutes earlier than dawn. Since I used to be staying within the van proper there on the location, it meant I may test circumstances immediately. After I opened the curtains, what I noticed made me transfer quicker than I had in a very long time: flat calm water, early morning mist beginning to type, and no wind in sight. One other photographer had arrived too, and whereas we exchanged a fast hiya, I didn’t dangle round—I had a job to do.

    There are lots of compositions at Pine Island. You possibly can keep alongside the shore, transfer greater for elevation, or work your solution to the stone jetty. I headed straight to the jetty. It’s the place I’ve tried many occasions earlier than, and I wasn’t about to vary plans now. I arrived round 35 minutes earlier than dawn and obtained the digital camera arrange. The mist was growing, and the early mild had a faint purple solid. I began to really feel that possibly this was lastly going to be the time it labored out.

    Whereas the sunshine was glorious, one factor was lacking: cloud. This meant the reflections have been easy and clear, and there was no probability of clouds blocking the dawn. It additionally meant the picture would possibly lack a little bit texture within the sky, however I wasn’t going to complain.

    The primary few photographs regarded promising. The reflections have been stable, the mist was constructing, and the sunshine was clear. I then launched the drone to see the way it regarded from the air. I captured just a few clips and a time-lapse. Whereas there was little or no motion within the scene because of the calm circumstances, there have been some mild floor ripples attributable to slight modifications in air motion. Nonetheless, it was good materials. I additionally took the chance to shoot an 11-shot panorama from the bottom. It was bold, and though the digital camera was leveled, I believe the extremes might have a little bit of fixing in submit.

    One factor about Pine Island is the ability traces. They lower proper by the body in lots of compositions, and I do know plenty of photographers take away them in post-processing. My resolution was to depart them in. I believe it’s vital to indicate the scene as it’s. If somebody visits after seeing an ideal, line-free picture, they is likely to be confused or disillusioned. Additionally, on this huge pano, the traces bend barely due to lens distortion, making it tougher to take away them cleanly anyway.

    Because the solar began to rise, it started to backlight the mist. I switched to f/16 to attempt for a sunstar, and it labored. I captured a body with the solar peeking by the timber, a robust sunstar, golden mist, and ideal reflections. It was the very best model of the scene I’ve ever managed. It additionally hit me that among the timber had sustained harm from winter storms. There’s no assure they’ll all the time be there. I used to be glad I didn’t wait one other 12 months.

    I remembered a dialog from final 12 months with Thomas Heaton and Neil Arthurs. We have been at this very location discussing totally different angles. Tom had urged that the very best composition is likely to be from the far facet of the island. I joked on the time that it could possibly be an awesome angle—in case you had calm water, mist, and golden mild. Which, because it turned out, I had proper then and there. So I made a decision to provide it a attempt.

    I captured just a few customary photographs and a smaller three-frame pano from that facet. And to be honest, it labored effectively. The reflections have been robust, and the timber have been catching the sunshine from behind. Whether or not it’s a greater composition is subjective. Personally, I nonetheless lean towards the stone jetty, however Tom’s suggestion undoubtedly has benefit.

    The sunshine was nonetheless good, so I despatched the drone up once more. This time, with the solar greater, the reflections regarded even stronger. The shore and mountain traces mirrored one another virtually completely. It was an uncommon stage of symmetry that I hadn’t seen from this location earlier than. From the air, all of it simply clicked.

    This complete morning bolstered a easy however vital concept: persistence issues. If I had stopped going to this location after the third or fourth failed try, I wouldn’t have this picture now. Panorama pictures usually entails making selections with none assure that the circumstances shall be proper. There’s nothing you are able to do to drive it, however you possibly can enhance your possibilities simply by exhibiting up.

    If there’s any takeaway right here, it’s this: hold attempting. In case you have a location you’ve been engaged on for years, don’t cross it off the listing too quickly. Maintain watching the climate, hold turning up, and be prepared. Finally, the circumstances will line up. And once they do, all these earlier failed makes an attempt will make the ultimate shot imply that rather more.

    Thanks for studying. You possibly can see the ultimate photographs from that morning within the full behind-the-scenes video, which is now stay on my YouTube channel.

    Let me know what you suppose within the feedback.

    Landscape Matters Persistence Photography
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