Panorama pictures with a telephoto lens utterly shifts the way you method a scene. As an alternative of sweeping vistas, you are chasing tighter compositions and fleeting particulars that wider lenses miss.
Coming to you from William Patino, this sensible video takes you thru his morning shoot on New Zealand’s South Island, emphasizing the flexibility and creativity a 100-400mm lens affords. Patino initially heads out aspiring to align the moon with mountain peaks however rapidly pivots when a distant tree catches his consideration. His spontaneous determination to modify from a large angle to the telephoto lens completely illustrates why the power to adapt issues a lot when photographing dynamic landscapes.
What stands out most is Patino’s clarification of telephoto framing: you’re not capturing expansive views, however selective, tightly organized compositions. He walks you thru his technique of separating key parts, like distant timber, peaks, and mist, to attain stability throughout the compressed body. The lens permits him to isolate small-scale scenes inside a broader panorama, turning transient moments of adjusting fog or daylight into visually highly effective pictures. These are alternatives that vast angle lenses usually cannot exploit, revealing why a telephoto ought to be in your panorama toolkit.
Patino additionally underscores the fleeting nature of those scenes, explaining why endurance and pace matter equally. You watch as he hurriedly repositions, racing daylight and shifting fog, emphasizing the necessity for decisiveness when capturing moments that vanish in seconds. This a part of the video clearly demonstrates how mastering a telephoto entails figuring out precisely when to attend, when to behave, and when to desert an thought solely if circumstances shift unexpectedly.
Patino additionally briefly dives into his modifying course of, sharing fast insights into cropping and adjusting photographs shot at longer focal lengths. He overtly discusses why he could or could not maintain sure frames, offering perception into learn how to critique your individual telephoto landscapes actually. He encourages you to consider carefully about whether or not a picture genuinely provides to your portfolio fairly than merely filling area. Take a look at the video above for the total rundown from Patino.
And when you actually wish to dive into panorama pictures, try our newest tutorial, “Photographing the World: Japan II – Discovering Hidden Gems with Elia Locardi!”
