The Fujifilm GFX 100S II medium format mirrorless digicam guarantees towering element and clean 16-bit coloration, however actual journeys expose sensible trade-offs in weight, autofocus, and file dimension. If you would like cleaner information and smarter dealing with with out getting tripped up by workflow slowdowns or softer video, this breakdown reveals the place it helps you and the place it would maintain you again.
Coming to you from Dylan Spitz, this detailed video reveals what it’s wish to stay with the Fujifilm GFX 100S II medium format mirrorless digicam on an actual journey via Canada. Spitz focuses much less on specs and extra on day by day use, like the way it feels to hold, how the controls work, and whether or not the ergonomics maintain up over lengthy capturing days. He factors out that regardless of its dimension, the GFX 100S II didn’t really feel overly heavy when mountaineering in Banff, which is value noting when you’re anxious about bulk. He additionally highlights the three-way tilting LCD design, which he prefers over a completely articulating display as a result of it feels faster and fewer awkward for nonetheless capturing. These sorts of particulars matter as a result of they have an effect on whether or not you truly wish to carry and use the digicam within the subject.
What stands out in his footage is the picture high quality. Even at greater ISO values, information remained remarkably clear with noise that was virtually unnoticeable. Spitz describes the 16-bit coloration as clean and nuanced, which supplies you room to push information in enhancing with out breaking them aside. He emphasizes that that is the explanation you purchase into the system: the look and the depth you get in your pictures. On the flip aspect, he factors out two drawbacks in dealing with: the small AF-On button, which feels undersized for such a big physique, and the highest display, which he would commerce for Fuji’s conventional dials. These aren’t dealbreakers, however they present how choice can form your expertise with the digicam.
Key Specs
Lens Mount: Fujifilm G
Sensor: 43.8 x 32.9 mm medium format CMOS, 102 MP (11,648 x 8,736)
Picture Stabilization: 5-axis sensor-shift
ISO Vary: Picture 80–12,800 (prolonged 40–102,400) | Video 100–12,800 (prolonged 100–25,600)
Steady Taking pictures: As much as 7 fps
Video Recording: As much as DCI 4K and UHD 4K, 10-bit 4:2:2 through HDMI
Media: Twin UHS-II SD card slots (as much as 2 TB)
Viewfinder: 0.5″ OLED, 5.76M dots
Show: 3.2″ 3-way tilting touchscreen LCD
Weight: 1.8 lb / 802 g (physique solely)
As for video, Spitz wasn’t impressed. Even when testing throughout completely different codecs, the footage got here out trying softer than anticipated. He suspects it has to do with the downsampling from such a big sensor, and though the colour and grading flexibility have been wonderful, the general look left him underwhelmed. In case your work relies upon closely on video, that is one thing to consider, particularly since different cameras in the identical value bracket deal with it higher. The place the GFX 100S II shines remains to be images: landscapes, portraits, and something that advantages from its unbelievable information. Take a look at the video above for the complete rundown from Spitz.
