A small, metal-bodied Micro 4 Thirds digicam that shoots 50 MP handheld high-res and 80 MP on a tripod adjustments what you are able to do in combined photo-and-video workflows. Should you care about quick setup, deep depth of subject at decrease ISO, and a compact package that doesn’t really feel like a compromise, this one hits a particular candy spot for photographers who worth mobility and management.
Coming to you from Take Kayo of bigheadtaco, this considerate video walks by the OM System OM-3 mirrorless digicam and why its stacked 20.4 MP sensor makes extra sense than specs alone counsel. Kayo reveals how handheld high-res turns a 20 MP physique right into a 50 MP shooter for static scenes whereas letting transferring components blur in attention-grabbing methods. He leans on the in-body stabilization and stage indicators to maintain overhead setups sq. and repeatable. He factors out the sensible upside of Micro 4 Thirds depth of subject: f/4 can behave like f/8 on full body, letting you drop ISO and defend element with out preventing diffraction early.
You see the attraction in the event you shoot merchandise, avenue, or tabletop. Kayo compares his longtime Fujifilm studio rig to the OM-3 and makes a case for switching as a result of the computational modes are in-camera and quick. He runs 4K at 30p, dials shutter to 1/60 second, and demonstrates dependable autofocus handoffs from desk to look at with out looking. The physique feels old-school within the great way, with satisfying dials and a totally articulating display screen that stays out of the way in which when utilizing the EVF. It’s not a cinema-first physique, however the 10-bit choices and HDMI output cowl typical creator wants with out turning your bag right into a science mission.
Key Specs
Micro 4 Thirds mount, 17.4 x 13 mm BSI MOS stacked sensor
Efficient 20.4 MP stills, 14-bit uncooked
Handheld 50 MP and tripod 80 MP high-res modes
In-body 5-axis stabilization with sensor-shift
Native ISO 200–25,600
DCI 4K and UHD 4K at as much as 60 fps, H.264 8-bit and H.265 10-bit inner
4:2:2/4:2:0 8/10-bit over HDMI
Single UHS-II SD card slot
Totally articulating 3″ touchscreen, 2.036M-dot OLED EVF
1x USB-C, mic and headphone jacks, micro-HDMI
BLX-1 battery, Bluetooth and Wi-Fi with OM Picture Share
Approx. 0.9 lb physique, magnesium alloy construct with weather-sealing
Kayo frames the OM-3 as a “20, 50, and 80 MP” workflow machine relatively than a single-spec digicam, which issues once you want decision on demand with out altering techniques. For product shooters, the built-in ND, focus stacking, and stage aids take away lots of friction. For avenue, the depth-of-field benefit helps hold ISO down at evening whereas sustaining context as an alternative of melting every thing into bokeh. The stacked sensor’s throughput makes these computational methods really feel like a part of regular taking pictures relatively than a menu treasure hunt.
He additionally reveals lens selections that hold the system compact. A small prime just like the M.Zuiko Digital 25mm f/1.8 behaves like a basic 50mm framing-wise. The M.Zuiko Digital ED 20mm f/1.4 PRO hits a pure 40mm view with shallow-but-controlled topic isolation. The M.Zuiko Digital ED 12-40mm f/2.8 PRO II provides you a 24–80mm equal vary, fixed aperture, and a clutch for fast handbook override with out diving into settings.
Value lands round $1,849 for the physique, which is smart in the event you’ll really use the high-res modes, in-camera stacking, and the stabilization to streamline your shoots relatively than including lights, stands, and time. If that’s your actuality, the improve is workflow, not simply picture high quality. Take a look at the video above for the total rundown from Kayo.
