You’re Picture Locked. Now What? (Plus Dir. Ruben Fleischer!)

On this episode of the No Movie Faculty Podcast, GG Hawkins and Ryan Koo dig into the customarily‑murky world of movie launch technique and distribution from a number of angles—after which sit down with acclaimed filmmaker Ruben Fleischer to hint his path from indie begin to massive‑finances studio productions.On this episode, we talk about:GG’s journey along with her micro‑finances characteristic I Actually Love My Husband: pageant technique, gentle theatrical run, and streaming rolloutThe significance of promoting and viewers‑constructing even for indie movies (“the additional 50% of effort after image‑lock”)Competition submission technique: premium “purchaser’s festivals” vs regional festivals, world‑premiere constraints, and timing decisionsTools and ways: creating trailer/sizzle property, leveraging gross sales & pageant reps, doing the reference‑examine on distributorsReal‑world rejection: extracting studying from “move” notes and small offers, how to decide on between flashy identify vs associate who will work for youThe one‑to‑one interview with Ruben Fleischer: his early profession, shifting from shorts/commmercials to options, how he handles giant‑scale shoots, visualising scenes, main massive crews, and navigating reshootsRuben’s key items of recommendation for rising filmmakers: making issues now, studying by doing, honing your craft by persevering with to createA bonus deep‑dive into how even locked‑image movies nonetheless require quite a lot of narrative technique, deliverables, and enterprise savvy with a view to land distributionGuests:Subscribe to the No Movie Faculty Podcast on:Get your query answered on the podcast by emailing podcast@nofilmschool.comListen to extra episodes of the No Movie Faculty podcast proper right here: